 | Write
a story as if you are telling it to someone you love to entertain. |
 | Outline
if you can (Writing is architecture). |
 | Put
as much of the good stuff as you can upfront (Pack your beginning with
enough tension and suspense). |
 | Edit ruthlessly. |
 | When
you work from real life, adjust those vividly remembered scenes to the
demands of the story's structure. |
 | Choose
mere mortals as characters. |
 | Build
worthy opponents for your heroes, not straw men. |
 | Try
to see every scene from the viewpoint of each character in it. |
 | Practice
empathy. Even sympathy. If the people don't feel real, the story sounds
like a lie. |
 | State
your most outlandish positions boldly. Like a politician, allow no
equivocation to invite reader disbelief. |
 | Skip
gracefully past what you don't know (or do the research). |
 | Consider
the tone of the writing (Is it appropriate to your plot and characters?). |
 | Consider
the pace of the story. Spend words where they are needed. Slow down for
the dramatic; whisk us through the mundane. |
 | Make
your dialogue sound like real people speak. |
 | Make
your ending better than your beginning. Make your middle better than both. |