Movie
Home ] [ Movie ] Publications ] Bio ] Reviews ]

 

                      

             The official poster                      The official billboard              Times Square, NYC

 

 

 

wpeB.jpg (27153 bytes)      Steven Seagal and John Westermann

wpeD.jpg (45581 bytes)     John Westermann casing the joint

wpeF.jpg (32746 bytes)     John Westermann and Drag-on

wpe11.jpg (38059 bytes)     The Mann Village Theater, Westwood Village, California  

wpe13.jpg (40324 bytes)      Tom Arnold and John Westermann

wpe15.jpg (32111 bytes)     Bill Duke, DMX and fans

wpe17.jpg (32768 bytes)     Bill Duke and John Westermann

wpe1A.jpg (38772 bytes)     Wilshire Blvd

 

On the Exit Wounds Set

wpe1C.jpg (36204 bytes)     John and Steven on the set in Toronto.

wpe1E.jpg (36595 bytes)     John and DMX on the set in Toronto

wpe20.jpg (33051 bytes)     Michael Jai White, John Westermann and Bruce McGill

wpe22.jpg (29857 bytes)     Screenwriter Rich D'Ovidio and John

wpe24.jpg (14767 bytes)     Director Andrzej Bartkowiak and John Westermann

 

Release Date: Spring 2001

Distributor: Warner Brothers

Production Company: Silver Films (Romeo Must Die, The Matrix, Dungeons & Dragons)

Cast: Steven Seagal, DMX; other cast not yet announced.

Director: Andrzej Bartkowiak (Romeo Must Die)

Screenwriter: Ed Horowitz (cowriter of On Deadly Ground), Rich D'Ovidio (debut)

Based Upon: The novel of the same title by John Westermann. The good news for Seagal if this movie is a hit is that the book had a sequel, The Honor Farm.

Premise: Orin Boyd (Seagal), a tough cop in an inner-city precinct discovers a web of dirty cops and corruption. That's his cue to kick butt and take names! (DMX is a "mysterious man" who helps Seagal do his thing).

Location Note: The novel took place on Long Island, but the announcement of the movie mentioned that it was set in an "inner-city precinct". It's not known if that means Long Island is being dumped or not. (4/20/00) Producer Joel Silver told The L.A. Times that Seagal's character is in anger management, doesn't sport a ponytail, and there are nods in the script to his film past, indicating that this is a return to the sort of character Seagal started off playing.